Photography in Criteria Structural Nature

Question: Discuss about the Photography in Criteria Structural Nature. Answer: Introduction: Photography has been viewed as the mechanical form of reproduction with the undergoing immersed debates in the respective cultures. It emerges with the modernism that has been always conscious of the engagement and the culture that is popular in these criteria. There have been found to be some relationships that are uneasy and have challenges to the authorship in the originality and the rise I the mass reproduction. (Jake, 2012) said the scope that has been applied is aura photography with the capability of enhancing the scientific photo practices and the interpretation of the results as well. Photography in the late 1980s was conducted in a protagonist manner and thus the scope adopted is of modernity in nature and applied the dominant ideology hence the camera has another suggestion pertaining to the psychoanalysis and the theory of the metaphor as well as the review of false identities. The narcissism of the regarded pose has a different suggestion that the power relationship involved in the photographic process adopts an approach of the hunter and the prey hence the person being shot by the individual known as the photographer may not always be in the role of the victim. The photography is seen as the metaphor incorporating the desire and the capacity that enhances the productivity to preserve the memory which is not regarded in a wide scope by the freeze framed moment that produces and image of deathlike nature. The context views photography as the process which is very unique and analogue thus representation of the event is cumbersome in front of the lens and the transferred light of the reactions of chemical in nature. The adopted methodology in the photography is known as the indexical nature of the photograph which has been given raise to both the discourses of the scientific nature as well as the magical. George, (2014) said the ideologies of the nature of human being in this context have been well incorporated. Photography takes the mechanical reproduction which has been discussed and predicated on the mimesis thus promising to reproduce would be reality prevailing at that particular moment. The representations are given a date with reference to the modernity approach of the Avant grade where the fractured and alienated visions are known to be characteristic of the modern life. The cameras ability to reproduce the geometric space makes it so appealing in the context of the photographer who vies the subject that is being undertaken or pursed. The images captured and derived in photography are intimately tied up within the nexus of desire and the given memory. The knowledge is used and the predicated memory to recognize the mechanical approach that tis perpetuated in the ideology. (Festus, 2012) said the photography in these criteria is the structural nature of the given aspect of the paradigms and thus it undergoes a number of various modifications in order to pair the images and produce the conceptual modernity in the images. The conflict exists where there is no contemporaries seeking to see the representation of the psychological conflict hence the through the representations the object body is put into the considerations. The instances in which the art of photography was used performativity are clearly shown and hence the productive tool for individuals are well illustrated as well as the matters of state authorities. There is also inscription of the positions that cannot be contested in any manner thus the same elements tend to make photography cumbersome. The same elements make the weapon to be used in photography and thus it is readily available to anyone who uses photography to write positions and the deacon structure potential.(Luke, 2013) said the person has been seen to me making the motions of graphics in nature which results to an unclear shadow behind the picture. The article of digital media publishing and digital zeitgeist incorporation was the one that assisted in acquiring the information used here. The references and the content above was obtained from the reading five, three and two. References George, L. (2014). The ideologies of the nature of human being in this context have been well incorporated. Herman press. Sydney. Festus, P. (2013). The photography in these criteria is the structural nature of the given aspect of the paradigms: Hungarian press. Australia. Jake, P. (2012). The scope that has been applied is aura photography with the capability of enhancing the scientific photo practices and the interpretation of the results: Parker press. Austria. Luke, C. (2015). The person has been seen to me making the motions of graphics in nature which results to an unclear shadow behind the picture: American press. New York.